Simbaa (2024) Hindi Dubbed Movie

Simbaa is a 2024 Indian Telugu-language crime thriller film directed by Murali Manohar and written by Sampath Nandi. The film is produced under the banners of Sampath Nandi Team Works and Raj Dasari Productions.

The story of Simbaa revolves around Akhila (Anasuya), a dedicated teacher who lives with her disabled husband. Her life takes a shocking turn when she unexpectedly murders a stranger. This crime sets off a chain of events as Police Officer Anurag (Vasishta Simha) begins an investigation, and journalist Fazil (Srinath), who is covering the case, also develops a disturbing compulsion to kill.

As Akhila and Fazil come together, they are joined by Dr. Irani (Aneesh Kuruvilla), who also succumbs to the same urge. The three form an unlikely alliance and commit murders, leaving the audience to question their motives. Meanwhile, Purushottam Reddy (Jagapathi Babu), an enigmatic environmental activist, emerges as a key figure tied to their story. What drives these characters to commit such heinous acts? How is Purushottam Reddy connected to them? These questions form the crux of the film, which explores the interplay of biological memory and revenge against a backdrop of environmental issues.

One of Simbaa's strengths lies in its unique concept, blending a wild revenge drama with scientific ideas like cellular and biological memory. The film also delivers a strong environmental message, emphasizing the importance of planting trees. These elements add layers to the narrative and keep the audience intrigued, especially as they explore why ordinary individuals are driven to commit unthinkable crimes.

Anasuya Bharadwaj shines in her role as Akhila, balancing the character’s vulnerable and intense sides effectively. Her performance as a teacher caring for her husband and as a key figure in the revenge drama is commendable. Jagapathi Babu impresses in a fresh role as an environmental activist, and his scenes stand out as a highlight of the film.

Vasishta Simha fits perfectly into the role of a serious police officer, adding weight to the investigative angle of the story. Srinath also makes a notable impression in a significant role, adding layers to the narrative. Divi, as the heroine, leaves a positive impression, while Aneesh Kuruvilla’s character design is executed neatly. Supporting actors like Gautami, Kasturi, and others perform well in their respective roles, contributing to the film’s overall appeal.

While the film’s concept is intriguing, its execution leaves much to be desired. The pacing is one of the biggest drawbacks, with many scenes dragging unnecessarily. Despite the fresh idea of biological memory, the revenge story often feels conventional and predictable. The transformations of the characters, especially their shift to committing murders, are not convincingly portrayed, leaving the audience with unanswered questions about their behavior.

The first half could have been much tighter, as the slow buildup detracts from the impact. The flashback sequences in the second half feel overly prolonged and, at times, illogical. Some scenes in these flashbacks come across as silly, undermining the film's serious tone.

The environmental message, though important, is delivered in an overly preachy manner, which might not resonate with all viewers. Additionally, the inclusion of unnecessary scenes detracts from the core revenge drama, reducing the overall emotional impact. A more concise narrative with fewer routine and irrelevant elements could have made a significant difference.

On the technical front, the film showcases a promising concept but struggles with engaging storytelling. The music by Krishna Saurabh is average and doesn’t leave a lasting impression. However, the cinematography deserves praise for its appealing natural visuals, which add depth to the story. The editing is well-executed, ensuring a smooth flow despite the pacing issues.

The production values by Sampath Nandi and Rajender are commendable, giving the film a polished look. The efforts put into designing the sets and locations complement the narrative, especially in the environmental scenes.

Simbaa offers an emotional revenge drama with a unique concept of biological memory and an important environmental message. While the film delivers some engaging moments and strong performances, its slow pacing, conventional treatment of the revenge story, and unnecessary scenes dilute its impact. The second half, in particular, struggles with prolonged and illogical sequences, making the overall experience less satisfying.

Despite its flaws, Simbaa deserves credit for attempting to bring a fresh concept to Telugu cinema. However, its execution doesn’t do justice to its potential. It’s a film that might appeal to those who enjoy experimental narratives but falls short of being a compelling watch for mainstream audiences.